Mammi chattsex phone no
In the film, written in the 1990s and released in 2000, Josie mourns the double standard: when a man goes abroad to feed his family, “people say what a good father he is,’’ but a woman who does the same is labeled a bad mother. She is part of a large extended family of Filipino migrants I’ve followed for three decades to trace the rise of global migration.Like Josie, Tess was taking up for a feckless man who couldn’t feed his own kids.Many women who work abroad leave their children behind, often for years at a time.No country has done more to promote migration than the Philippines, where the money migrants send home equals a tenth of the GDP.The attendant mother-child separation, however, has been a source of national angst.Consider the hit Filipino film (The Child), which follows a nanny’s return to the Philippines after six years in Hong Kong.The term “foreign worker” once conjured the image of a man digging coal or laying bricks.
But it’s not clear that maternal migration is bad for the children left behind—or at least not if the alternative is dire poverty.
But the biggest difference between Tess and her fictional counterpart was that, shortly after Tess went abroad, a communications revolution offered new ways to stay in touch. After two years, she came home for her first vacation, then quickly left again.
Josie wrote letters and waited weeks for a response. She bought her mother a cellphone and called constantly. When the girls were fifteen and ten, Tess took a nanny job in Abu Dhabi.
While most kids miss their mothers, many eat better and attend better schools because of their mothers’ earnings.
Whether the losses outweigh the gains depends on the context: the strength of the pre-existing relationship, the quality of the substitute, and how much the family finances improve.
“It feels like Mommy’s not far anymore,” Marielle told me.