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Norwegian band Theatre of Tragedy developed the "beauty and the beast" aesthetic of combining aggressive male vocals with clean female vocals, a contrast that had been adopted by groups before them, but not as a regular trademark; several bands have employed the technique since.
During the mid-1990s, Moonspell, Theatres des Vampires, Rotting Christ and Cradle of Filth brought the gothic approach to black metal.
The genre originated during the early 1990s in the United Kingdom originally as an outgrowth of death-doom, a fusion of death metal and doom metal.
Lyrics are generally dark and introspective with inspiration from gothic fiction as well as personal experiences.
Their debut album Lost Paradise was released in 1990 and "helped define the rules of doom/death metal: grinding, de-tuned anthems of woe topped with death metal-style guttural vocals" while demonstrating that the band was "already reaching for realms unknown to their then-amateurish abilities and latent promise".
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and observed that by separating the band's music "from their heavy metallic connotations", one "could cull a killer Goth album from their first five LP's, with every future reference point and requirement intact".
With the dissolution of his second band Samhain in 1988 and the creation of his own eponymous act, Danzig went on to combine heavy metal riffs with "a heavily romanticized, brooding, gothic sensibility".
Paradise Lost were doing similar-ish kind of things, but I don't think they had this more romantic edge.